THE OCEAN SYMPOSIUM 2018

 

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HASTINGS - St Mary in the Castle is a Grade II* listed building in Hastings. St Mary in the Castle is a grade II* listed former Church built in the Neo-Classical style. It was converted into an arts centre in 1998 after substantial refurbishment by Hastings Borough Council and English Heritage. St Mary in the Castle has played host to numerous high profile exhibitions. The building sits as the centre piece of the delightful Pelham Crescent above the regency Pelham Arcade on Hastings Seafront. The arcade is currently undergoing works to restore it to its original form and now houses the St Mary in the Castle Restaurant. With its restored lantern roof the restaurant is a bright and welcoming space.

 

 

 

“Communities of Ocean Action and Living Seas”


St Mary in the Castle, Hastings


Saturday 22nd September 2018  9:30am - 16:30pm

 

 



YOUR OCEAN NEEDS YOU!

Never before our Ocean has been under such threat: plastics, ocean acidification, ocean warming, polar ice melting, coral reefs and marine life in danger. Come and join us at this exciting community event: LOTS OF STALLS (Marine Exhibition) and a day of learning and networking.


Watch with us the BBC Earth short film about the Oceans, narrated by Sir David Attenborough, and listen to experts and about new projects in the fields of Marine Conservation, Global Oceans, Climate change, Marine Resources and Marine Wildlife. Tea and coffee provided by Organisers.

See for yourself the SeaVax Prototype! Amazing!!

 

PROGRAMME

9 : 30 Doors open. Registration.

10 : 00 Welcome by Co-Chairs of Symposium.

10 : 05 Official Opening

10 : 15 Welcome of Delegates by The Mayor of Hastings

10 : 20 UN Ocean Conference Film, BBC Earth. Narrated by Sir David Attenborough


OCEANS AND GLOBAL ISSUES

10 : 25 “UN Global Sustainable Goals; implications for our communities” by Natalie Samarasinghe, Executive Director, United Nations Association, UK.

10 : 45 “Oceans, Marine Resources and Commonwealth Nations” by Dr Nicholas Watts, Institute of Commonwealth Studies, University of London.

11 : 05 Discussion (Chair: John Fowler, Chairman of the United Nations Association, Bexhill and Hastings). Panelists: Natalie Samarasinghe, Dr Nicholas Watts.

11 : 35 Coffee break - Marine Exhibition (stalls)


MARINE CONSERVATION

12 : 05 Wildlife Trust Video 1

12 : 10 “Ocean pollution, microplastics and effects of Climate change” Dr Tim Ferrero, Senior Specialist for Marine Advocacy, Hampshire and Isle of Wight Wildlife Trust.

12 : 20 “Marine Conservation Zones” Dr Sean Ashworth, Deputy Chief Fisheries and Conservation Officer, Sussex Inshore Fisheries and Conservation Authority.

12 : 30 Discussion (Chair: Tim Dapling, Chief Fisheries and Conservation Officer, Sussex Inshore Fisheries and Conservation Authority)

Panelists: Dr Tim Ferrero, Dr Sean Ashworth, Dr Corina Ciocan, Lecturer in Environmental Sciences and Marine Biology, University of Brighton, and Paul Linwood (Chairman of the Sussex Marine and Coastal Forum and Sewage Policy Manager, Southern Water)


13: 00 Lunch break - Marine Exhibition

13: 45 Wildlife Trust Film 2


FISHERIES AND REGIONAL MARINE PROJECTS

13: 50 “Blue Economy and fisheries” Dr Adriana Ford, Coordinator of the Greenwich Maritime Centre, University of Greenwich.

14: 10 Blue Marine Foundation – Morven Robertson – UK Project Manager

14: 30 Hastings Fisheries Local Action Group (FLAG) and LIFE - Jeremy Percy – Executive Director, Low Impact Fishers of Europe (LIFE)

14: 45 BREAK - Marine Exhibition

15: 00 Announcements (new projects, partnerships, policies and initiatives)

15: 10 Surfers against Sewage – Colin Darbyshire

15: 15 Cleaner Ocean Foundation (Blue Growth) – SeaVax innovation Project – Nelson Kay – Project Manager

15 : 20 Final Round Table (Chair: Dr Sean Ashworth)

Panelists: Dr Adriana Ford, Dr Nicholas Watts, Natalie Samarasinghe, Dr Tim Ferrero, Dr Corina Ciocan and Jeremy Percy.

15: 50 The Ocean Charter, Symposium Declaration, UN SDG Targets, and Future Strategy.

16: 00 Final Audio Visual presentation (including a short film about the Oceans)

16 : 20 Closing Words, John Fowler, Chairman of the United Nations Association, Bexhill and Hastings

 

 

The SeaVax proof of concept boat during open water trials

 

OCEAN DUSTCART - SeaVax is seen here during open water floatation trials. Please note that this is a small (proof of concept) version of any ocean or river portable dustcart that we hope will be tested on the south coast of England as the project progresses. SeaVax is a selective filtration machine that will be configured to target solid plastics and particles. The machine could also be used in oil spill emergencies, or as a selective fishing vessel for harvesting of alternative marine produce. The platform could thus be useful in many ways, leaving traditional fishermen to catch their quotas in a move to more efficient use of our ocean resources.

 

SeaVax will be on display at The Ocean Symposium, Hastings on the 22nd September.

 

 

VENUE

 

St Mary In The Castle
7 Pelham Crescent
Hastings
TN34 3AF 

 

 

Eventbrite Ocean Symposium Hastings UNA Bexhill September 22nd 2018

 

 

INTERESTED IN ATTENDING ? CLICK ON THE PICTURE ABOVE

 

Contact the organiser with any questions?


Information: unaukhandb@gmail.com

The Ocean Symposium: 07552 690519

 

St Mary in the Castle: 01424 715 880

 

UNA Bexhill & Hastings

 

 

 

 

 

THE OCEAN SYMPOSIUM STEERING GROUP

- Gonzalo J. Alvarez – Marine Biologist - United Nations Association (Co-Chair of the Ocean Symposium)

- Sarah Ward – Marine Biologist - Living Seas Officer, Sussex Wildlife Trust (Co-Chair of the Ocean Symposium)

- Martin Fisher – CEO Rother Voluntary Action

- Dr Tim Ferrero – Senior Specialist for Marine Advocacy, Hampshire and Isle of Wight Wildlife Trust.

- Jan Cutting – Active Communities Lead, Rother Voluntary Action

 

 

PARTNERS

United Nations Association Bexhill and Hastings
Sussex Wildlife Trust
Hampshire and Isle of Wight Wildlife Trust
Rother Voluntary Action
Hastings Voluntary Action

 

 

 

 

 

ST MARY HISTORY

In 1824 the Earl of Chichester, Thomas Pelham saw an opportunity for development of his land at the bottom of the West Hill to house the ‘discriminating population’ of Hastings. He engaged Joseph Kay as architect and work began, including the excavation of a large section of the cliff face. The development would include a crescent with grand town houses overlooking the seafront, and a neoclassical fronted church as its centrepiece; beneath the crescent a shopping arcade would complete the grand design. The arcade was opened in the same year with the church being completed four years later in 1828.

In 1951 St Mary in the Castle was made a grade II* listed building and was followed by a period of decline. St Mary in the Castle was deemed surplus to requirements as a Church of England place of worship in 1970 and by 1986 was close to being put on the dangerous buildings register. After a campaign by a group of locals to save the building, Hastings Borough Council acquired the freehold to St Mary in the Castle and number 7 Pelham Crescent.

In 1988 the Pelham Arcade was recognised as a grade II listed building and English Heritage, with the support of the Queen Mother, embarked on plans to restore St Mary in the Castle. After extensive restoration works the building reopened as an arts centre in 1998.

In 2012 Hastings Borough Council put the lease out to tender and the proposal from Buckswood School in Guestling was approved by the council in December of that year. A charitable trust was established in 2013 and in June 2015 a ten year lease was signed by them to safeguard the future of the building as a centre for the arts.

 

 

 

ST MARY IN THE CASTLE CHARITABLE TRUST
7 Pelham Crescent
Hastings
East Sussex
TN34 3AF

Tel: 01424 715880
Email: enquiries@stmaryinthecastle.co.uk
Web:
http://stmaryinthecastle.co.uk/

Venue Manager: Sean Berkley

Registered Charity No. 1152523

 

 

 

 

ST MARY CONSTRUCTION

MATERIALS: Stone and brick, cement-rendered, and lined as ashlar, stone dressings.

PLAN: The church sits in a commanding position overlooking the sea, forming the centrepiece of Pelham Crescent, which is raised above Pelham Arcade and reached by a ramp at the western end of the composition. It is set on a shallow plinth of three stone steps and over a crypt which extends southwards to the rear of Pelham Arcade. The façade is laid out as a double-depth tetrastyle Ionic portico, flanked by single entrance bays, the double depth formed by rear columns set in antis; The church is semicircular on plan, the upper level projecting over the rock face at the rear so that it is constructed of two concentric stone walls, an inner one at lower level, and an outer wall at gallery level, built into the rock. The interior of the church is laid out with a horseshoe gallery to the north overlooking a shallow rectangular three-bay sanctuary which is flanked by single bays which break forward to enclose lobbies which give access to the portico and gallery. Stairs, either side of the church, descend to a crypt, T-shaped on plan, which protrudes into the rear of the Arcade.

EXTERIOR:
The double-depth tetrastyle Ionic portico, achieved by rear columns set in antis, comprises columns set on tall bases, under a pediment, with a clock. It is flanked by single entrance bays which have paired external doors, each of three raised and fielded panels, in a moulded architrave beneath a simple moulded cornice. The church is also reached by entrances in the returns at the rear of the portico. The church is lit by tall round-headed windows, which are set above a rusticated basement under the portico, and recessed between pilasters in the flanking bays; the gallery is also lit by shallow segmental headed windows. Windows have small rectangular panes and a pronounced inner frame. The simply treated attic storey disguises the belfry and to some extent the roof, more in the manner of an extended blocking course than a true attic storey. The church is enclosed by a low wrought iron screen and gates with star-shaped panels and spear head finials.

INTERIOR:
The interior of the church is laid out with a horseshoe gallery to the north overlooking a shallow rectangular three-bay sanctuary which is flanked by single bays which break forward to enclose lobbies which give access to the portico and gallery. Each lobby has a pair of doors beneath a recessed round-headed alcove which is now blind, but from late C19 photographs appears to have been open. Smaller single doors to each side give onto stone stairs with iron balusters and a moulded mahogany rail with a curtail supported on a slender columnar newel; the outer wall of the church is cut away in a moulded hemisphere to accommodate the curtail.

 

The lobby floor is stone-flagged. The gallery is supported on piers with corbels in the form of angels, while the gallery roof is visually supported on Corinthian columns, now marbled. The main ceiling is a complex structure, in the form of a coved horseshoe rather than a conventional dome. The ceiling is panelled and separated by heavy moulded ribs and brackets which support a rich entablature from which ribs again rise to form the framework of a partly glazed lantern. The pronounced anthemion cornice echoes the detail of the columns, while horseshoes, extant in the 1890s, are repeated in the mouldings of the frieze. The sanctuary has a separate coved panelled ceiling, while the gallery roof also has shallow moulded panels. The church has encaustic tile flooring. In the 1920s the room to the east of the main church was adapted as a baptistery, complete with a stone-lined immersion font, while the spring was converted to a grotto to commemorate the centenary of the building.

Most of the timber and plasterwork, which were suffering from rot, were removed during the 1990s refurbishment, with the exception of the panelled box pews in the upper gallery which appear to survive in their original configuration. The rear wall of the gallery is now exposed coursed stone. The sanctuary, which was restored in 1893, has a rich gilded marble reredos of round-arched and shaped panels inscribed with texts. Above it, the central window has later C19 stained glass.

Internal iron and steel stairs, original on the east and replaced to the west, descend on each side of the church to the crypt which is T-shaped on plan, and formed of dressed stone walls and brick groin-vaulted passage, similar to the arcade, with vaults to each side. Vaults to the west retain tiers of stone and lead-fronted boxes with inscribed panels. The crypt has been opened up and connected to café area by breaking through the rear of the arcade.

 

Grade: II*
Source: Historic England
Source ID: 1353209
English Heritage Legacy ID: 294035

 

 

 

 

CLIMATE CHANGE - There has been a Climate Conference every year since the founding assembly at which many important Agreements as to targets and issues were raised and resolved for a better world. A better world is a place that is sustainable for future generations.

 

1995 COP 1, BERLIN, GERMANY
1996 COP 2, GENEVA, SWITZERLAND
1997 COP 3, KYOTO, JAPAN
1998 COP 4, BUENOS AIRES, ARGENTINA
1999 COP 5, BONN, GERMANY
2000:COP 6, THE HAGUE, NETHERLANDS
2001 COP 7, MARRAKECH, MOROCCO
2002 COP 8, NEW DELHI, INDIA
2003 COP 9, MILAN, ITALY
2004 COP 10, BUENOS AIRES, ARGENTINA
2005 COP 11/CMP 1, MONTREAL, CANADA
2006 COP 12/CMP 2, NAIROBI, KENYA
2007 COP 13/CMP 3, BALI, INDONESIA
2008 COP 14/CMP 4, POZNAN, POLAND
2009 COP 15/CMP 5, COPENHAGEN, DENMARK
2010 COP 16/CMP 6, CANCUN, MEXICO
2011 COP 17/CMP 7, DURBAN, SOUTH AFRICA
2012 COP 18/CMP 8, DOHA, QATAR
2013 COP 19/CMP 9, WARSAW, POLAND
2014 COP 20/CMP 10, LIMA, PERU
2015 COP 21/CMP 11, PARIS, FRANCE
2016 COP 22/CMP 12/CMA 1, MARRAKECH, MOROCCO
2017 COP 23/CMP 13/CMA 2, BONN, GERMANY
2018 COP 24/CMP 14/CMA 3, KATOWICE, POLAND
2019 COP 25/CMP 15/CMA 4 TBA

 

 

 

 

 

EUROPEAN MARITIME DAY

 

* Brussels 2008: "A regional approach to the implementation of Maritime Policy"

* Rome 2009: "Integrated Maritime Policy and the contribution of maritime clusters"

* Gijón 2010: "How to foster innovation?"

* Gdansk 2011: "Maritime Policy: Putting People First"

* Gothenburg 2012: "Sustainable Growth from the Oceans, Seas and Coasts"

* Valletta 2013: "Coastal Development and Sustainable Maritime Tourism"

* Bremen 2014: "Innovation driving Blue Growth"

* Piraeus 2015: "Ports and Coasts, Gateways to Maritime Growth"

* Turku 2016: "Investing in blue growth – smart and sustainable solutions"

* Poole 2017: "The Future of our Seas"

* Burgas 2018: Bulgaria "TBA"

* Lisbon 2019: Portugal "TBA"

* Cork 2020: Ireland "TBA"

* Den Helder 2021: The Netherlands "TBA"

* Ravenna 2022: Italy "TBA"

* Brest 2023: France "TBA"

* Svendborg 2024: Denmark "TBA"

...

 

United Nations laurel planet logo

 

LINKS & REFERENCE

 

https://www.eventbrite.co.uk/e/the-ocean-symposium-2018-and-marine-exhibition-tickets-46801977976

http://www.hiwwt.org.uk/

http://hastingsonlinetimes.co.uk/hot-topics/home-ground/facelift-for-st-mary-in-the-castle-shops

http://www.bluemarinefoundation.com/

http://www.un.org/climatechange/

 

 

 

 This website is provided on a free basis as a public information service. copyright © Cleaner Oceans Foundation Ltd (COFL) (Company No: 4674774) 2018. Solar Studios, BN271RF, United Kingdom. COFL is a charity without share capital. The names AmphiMax, RiverVax and SeaVax are trade  names used under license by COF in connection with their 'Feed The World' ocean cleaning sustainability campaign.

 

 

 

 

OCEAS & SEAS ACTION SYMPOSIUM HASTINGS SUSSEX UN ASSOCIATION,  22 SEPTEMBER 2016